Windom Earle as the embodied evil. BOB as the metaphysical evil. Dealing with the former makes for an embarrassing melodrama. Lynch knows the discussion of good/evil is meaningful only on a surreal level. And that's why Earle is so instantly dismissed as trivial in Lynch's Red Room. A kind of authorial revenge for the derailed episodes.
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Through the focal point of individuals, the never-seen-before scale of war unfolds on screen. Marvelous camera work. Great cinema breaks boundaries of time and space and unveils the human core, and jizjiz国产 did that.